What He Left Behind: short fiction published in antiTHESIS journal

ANTITHESIS is a refereed arts and humanities journal edited by graduate students and published annually in association with the School of Culture and Communication at the University of Melbourne. As a postgrad student of creative writing, I’m delighted to have my story “What He Left Behind” included in Volume 25.

coverThe story is inspired by the Chinese dating show, If You Are The One and Brigita Ozolin’s artwork Kryptos, which is built into Tasmania’s MONA museum. (For more information about Kryptos, you can read my review here).

Here is the first paragraph of the story:

When he appeared on If You Are The One, some of the girls said he was too cute. Effeminate. Pew! Pew! Pew! went their buzzers as they decided not to chance a date with him. Their comments were surprising: he used to fuck you, hard—it was never the other way around—and dominance seemed to be his only mode, both in and out of bed. He was slim, yes, but not short, and he stood before the girls with a confident smile, wearing jeans and a tight-fitting dress shirt. Maybe the shirt sent a certain signal, or maybe the girls—having only his physical characteristics and initial mannerisms to remark on so early in the show—sensed his subterfuge and called him out on it. Either way, he was cute, that much is true. You remember.

Grab a copy of ANTITHESIS to read more!

Toast Soldiers and Boiled Eggs: flash fiction at the Australia Council offices

If you find yourself on Elizabeth Street, Surry Hills, you can go and take a look at my story Toast Soliders and Boiled Eggs, originally published by Seizure online. The Australian Council and Seizure have teamed up to pair flash fiction with illustrations by local artists in a stunning window display.

For more information, see the Australia Council website: http://www.australiacouncil.gov.au/arts-in-daily-life/artist-stories/art-makes-a-flash-at-australia-council/.

I’m thrilled to have my story up there alongside amazing work by Fiona Wright, David Henley and Sam Karpiniec, with artwork by Yiscah Symonds, Luke Marcatili, Max Prentis and Sam Paine.

Kryptos, an artwork at MONA, by Brigita Ozolins

Concrete, concrete render, steel, aluminium, gold, lead, mirror, LED lighting, cuneiform artefacts, soundtracks x 3. Viewed in May 2012.

Brigita Ozolins brings MONA’s eponymous “old” and “new” together in Kryptos, an enchanting, multi-faceted and surprising installation commissioned by David Walsh. The work sits on the second of the three basement floors that make up the museum, and its plain unmarked doorway is easily missed by those who are hurrying towards the more infamous pieces covering sex, death and shit, such as the artificial digestive system of Wim Delvoye’s Cloaca Professional.

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